On May 14th, the world lost one of its most celebrated, talented, and accomplished authors, Thomas Kennerly Wolfe, Jr., best known simply as Tom Wolfe. Wolfe earned his PhD in American Studies from Yale University in 1957, and worked as a newspaper reporter for a decade, writing for periodicals such as the Washington Post and the New York Herald-Tribune, as well as New York magazine and Esquire. 

Wolfe pioneered the use of a personal, literary style in news reporting and feature writing that became known as the New Journalism. A best selling author, his nonfiction works include The Kandy-Kolored Tangerine-Flake Streamline Baby (1965); The Electric Kool-Aid Acid Test (1968); The Pump House Gang (1968); Radical Chic & Mau-Mauing the Flak Catchers (1970); and His Mauve Gloves & Madmen, Clutter & Vine (1976). His examination and critique of the contemporary American art scene, The Painted Word (1975), proved to be extremely controversial. His history of the early space program The Right Stuff (1979), was adapted as a feature film by Phillip Kaufman in 1983. 

His book, In Our Time (1980), featured his own artwork, while From Bauhaus to Our House (1981), as a follow-up to The Painted Word, took on the topic of American architecture. Wolfe turned novelist with the publication of The Bonfire of the Vanities (1987), which was followed by A Man in Full (1998), I Am Charlotte Simmons (2004), and Back to Blood (2012). Hooking Up (2001) collected several works of his short fiction coupled with several of his essays. 

Tom Wolfe was an early promoter of media ecology scholar Marshall McLuhan, famously posing the question, "What if he's right?" in a 1965 essay published in New York magazine, and comparing McLuhan to the likes of Newton, Darwin, Freud, Einstein, and Pavlov. Wolfe's last book, The Kingdom of Speech (2016), a critique of Noam Chomsky's approach to linguistics, was awarded the Institute of General Semantics's S. I. Hayakawa Book Prize at last year's annual Alfred Korzybski Memorial Lecture, which was co-sponsored by the NYSGS. 

Wolfe is credited with coining a number of terms, including the right stuff, radical chic, the Me Decade, good ol' boy, and statusphere. As an author and journalist, he was truly a man of letters, to invoke an old fashioned phrase that fits well with the famous man in a white suit, as he was known. And as a student and scholar of language, art, media, and communication, as well as a writer, interviewer, and raconteur, he most certainly was also a man of words. 

On June 27th, 2018, the New York Society for General Semantics honored his contributions, creative and intellectual, and celebrated his achievements with a special panel discussion on select aspects of his career and publications. 

The participants on this program were: 

Thom Gencarelli, Professor and Chair of the Communication Department at Manhattan College, member of the Board of Trustees of the Institute of General Semantics, and the Board of Directors of the NYSGS, and the new editor of ETC: A Review of General Semantics.

Martin Levinson, author of several books on general semantics including a forthcoming new edition of Practical Fairy Tales for Everyday Living, President of the Institute of General Semantics and Treasurer of the New York Society for General Semantics. 

Lance Strate, author of several books including the award-winning Media Ecology: An Approach to Understanding the Human Condition, Professor of Communication and Media Studies at Fordham University, Trustee of the Institute of General Semantics, and President of the New York Society for General Semantics. 

The program was moderated by Jacqueline Rudig, Treasurer of the Institute of General Semantics, and member of the Board of Directors of the New York Society for General Semantics. 

It was a thoughtful and belletristic discussion!

General semantics is concerned with the ways in which language and symbols function as representations of our outer environment and our innermost feelings and thoughts. These representations function as maps of our external and internal realities. They help us to understand what we perceive and experience, they guide us in evaluating and navigating our world, and they give us tools for thought and action.

Different representations or maps may be more or less accurate or more or less useful in helping us to achieve certain ends. But different representations or maps may also help us to learn about different aspects of our reality, providing us with different perspectives, and abstracting out of external events different parts of the greater whole. What scientific modes of representation tell us about the world, for example, is quite different from what literary modes reveal, but each one provides us with knowledge that the other cannot.

The theatre is one of our oldest forms of literary expression, one that has an extraordinary influence on our use of language and symbol, from the Attic playwrights of ancient Greece and the introduction of the proscenium arch, and the unparalleled creative production of William Shakespeare in Elizabethan England, to the avant-garde experimentation of Bertolt Brecht in 20th century Germany, and Lin-Manuel Miranda's combination of hip hop and history in the Broadway hit Hamilton.

It follows that it is worth considering questions such as, what is unique to theatre as a mode of representation? What are its advantages and limitations, its problems and potentials? What are the relationships between dramatic performance and language and symbol, spoken and written word, play and script? Importantly, what role can theatre play in helping us to understand our world, in education, in social and political commentary? 

Given that programs for the New York Society for General Semantics are held in the historic Players Club, founded by Edwin Booth, the greatest dramatic actor of the 19th century, as a social club "for the promotion of social intercourse between the representative members of the dramatic profession and the kindred professions of literature, painting, sculpture and music, and the patrons of the arts," a panel discussion on theatre was especially appropriate. 

 The participants on this program were:

Emily Lyon, a Brooklyn-based theatre director and dramaturg who recently created a theatrical piece, How We Hear, inspired by Neil Postman's Amusing Ourselves to Death. Her other directing work includes The Summoning (Best Direction, Best Production: sheNYC), Sword & the Stone/The Tempest tour (Hudson Valley Shakespeare Festival), The Secret in the Wings (Hedgepig Ensemble), Women of Williams County (Best Ensemble: Manhattan International Theatre Festival), Interior: Panic (FringeNYC), Max Frisch’s The Arsonists (DCTV Firehouse), Some of the Side Effects (Best Premiere: UnitedSolo), and As You Like It (Geva Theatre Directing Fellow). 

S. Brian Jones, Director of Operations for The Players, recently completed his masters in the Masters of Applied Theater program at CUNY School of Professional Studies. He has served as a Teacher in Residence and Arts Administrator with schools, regional theatre companies and social service agencies, conducted credential training workshops for teachers with Delaware Institute for Arts in Education, served as an advocate for Arts Education within the educational and government systems, and worked at Foundation Theatre, Freedom Theatre, Delaware Theatre Company, Christina Cultural Arts Center, New Castle County Parks and Recreation, La Jolla Playhouse, Horton Grand Theater, Ensemble Arts Theatre, Creative Management Group, Dorwell Productions, Vista Del Mar Child and Family Services, the 1199 Child Care Corporation, The Artist Playground Theater and Inside Broadway.  Most recently, he worked as the Education Programs Manager for the award winning Off-Broadway Company, Epic Theatre Ensemble.  

M*** S******* is a New York based actor, director and writer.  As a performer, he has appeared on Broadway in the 39 Steps and off Broadway in Small World at 59east59, Checkers at the Vineyard Theatre, Tryst at the Irish Repertory Theatre, As Bees In Honey Drown at the Lucille Lortel Theatre.  His directorial work has been seen at The Alley Theatre, the Fulton Opera House, Virginia Stage, the Westport Country Playhouse, Arkansas Repertory Theatre, George Street Playhouse and many others.  His play, The Dingdong: or How The French Kiss, an adaptation of Feydau’s Le Dindon, premiered Off Broadway and has played around the country.  His adaptation of A Christmas Carol, which he will also direct, premieres this December at Florida Repertory Theatre. Mark is a graduate of Brown University and received his MA in Communication and Media Studies from Fordham University, where he teaches film courses. *Name withheld by request.

It was a lively and dramatic discussion! 

Trauma can be defined as an event that is experienced as deeply disturbing and distressing. Typically, psychological trauma is distinguished from physical trauma which involves some kind of bodily injury, wound, or harm, although psychological trauma can lead to somatic effects, and physical trauma is often accompanied by its psychological counterpart.

How can we better understand the experience of trauma? What are the roles played by perception, language, and memory in our experience of traumatic events, and their aftereffects? How is trauma recognized, and repressed? What are the therapeutic approaches to coping with trauma? Is it possible for us, as human beings, to prepare ourselves for the possibilities of traumatic encounters?

These and other questions were taken up by our panelists as we discussed a topic that deserves serious consideration. The participants on this program are as follows:

Michelle S. Kramisen has her MA in Literature with a concentration in war literature and trauma theory from State University of New York, New Paltz. Currently based out of New York City, she teaches college writing and research courses including a course this semester on zombies and trauma, at Fairleigh Dickinson University. Her chapter, “Confronting Trauma in the Zombie Apocalypse: Witnessing, Survivor Guilt, and Postmemory,” was recently published in a collection on media studies. She has presented on trauma, war literature, and media studies at conferences around the country.

Lori Ramos earned her PhD in Media Ecology from New York University. Her early research and scholarship explored the role of media in shaping conceptions of and attitudes toward literacy. More recently, her interests in communication have evolved to include psychotherapy and the impact of trauma. She has received an MSW from Fordham University with a focus on clinical social work and also completed EMDR training for trauma therapy. She is currently an Assistant Professor of Media Studies at William Paterson University in New Jersey and a staff therapist at Blanton-Peale Institute and Counseling Center in New York City.

Matthew Butler enlisted in the Marine Corps in 1994, was assigned as a Combat Correspondent and attended the Defense Information School studying basic journalism, photojournalism, and military public relations. He is a combat veteran with deployments to Fallujah, Iraq, Helmond Province, Afghanistan, the Horn of Africa and South America. Matt's decorations include two Meritorious Service Medals, Joint Commendation Medal, three Navy and Marine Corps Commendation Medals and two Humanitarian Assistance Medals for response to humanitarian crisis in Djibouti and Kenya on two separate occasions. After retiring from the Marines in 2014, Matt completed his undergraduate degree in Organizational Leadership and is now the Director of Military and Veterans' Services at Fordham University where he assists service members and veterans with transitioning from the military to higher education, supports academic integration, career preparation and planning, health and wellness support, and connecting veterans with mentors, both student veteran mentors, and corporate partners. Matt has hosted panel discussions about PTS and Moral Injuries and continuous to be a strong advocate for veterans. Matt works closely with New York City's Department of Veterans' Services and is Executive Member of Veterans on Campus NYC, a public-private venture to support service members and veterans making the transition to colleges and universities in New York City. 

The discussion was moderated by Lance Strate, Professor of Communication and Media Studies at Fordham University, President of the New York Society for General Semantics, member of the Board of Trustees of the Institute of General Semantics, author of several books including Media Ecology: An Approach to Understanding the Human Condition (2017), and On the Binding Biases of Time and Other Essays on General Semantics and Media Ecology (2011), and co-editor of several anthologies including Korzybski And... (2012).

It was a program that tackled a topic of profound significance and concern!

At the 58th annual meeting of the National Council of Teachers of English, held in Milwaukee on November 29, 1968, Neil Postman gave an address entitled "Growing Up Relevant" as the main part of a program session entitled Media Ecology: The English of the Future. This talk was later published as a book chapter in the anthology, High School 1980: The Shape of the Future in American Secondary Education, edited by Alvin C. Eurich, where it appeared under the title of  The Reformed English Curriculum.

In conjunction with the 1974 Alfred Korzybski Memorial Lecture sponsored by the Institute of General Semantics, Postman delivered an address entitled, Media Ecology: General Semantics in the Third Millennium, emphasizing the link between the two. A similar connection was made in the 1969 book he co-authored with Charles Weingartner, Teaching as a Subversive Activity, which introduced “the Sapir-Whorf-Korzybski-Ames-Einstein-Heisenberg-Wittgenstein-McLuhan-Et Al. Hypothesis … that language is not merely a vehicle of expression, it is also the driver; and that what we perceive, and therefore can learn, is a function of our languaging processes.” 

Postman's 1968 address marks the formal introduction of the term media ecology, which Postman used as the name for a field of inquiry that he defined as the study of media as environments. As this year marks the 50th anniversary of that talk, it seemed only fitting to revisit "The Reformed English Curriculum," and the equally seminal, "Media Ecology: General Semantics in the Third Millennium," as our first NYSGS event of 2018. What can we learn about the history of media ecology as a field, its relation to general semantics, to the study of language and the subject of English? What can we learn about Neil Postman in particular, and his views on education, communication, and culture? To what extent have things changed over the past half century, and to what extent do they remain the same?

We had the rare opportunity of presenting a program consisting entirely of out-of-towners who have converged on New York City to attend the annual Media Ecology Association board meeting. The participants on this program were:

Stephanie Bennett, Professor of Communication and Media Ecology and Fellow for Student Engagement at Palm Beach Atlantic University in South Florida, and author of the Within the Walls trilogy, which employs fiction to explore the future of digital media, relationship sustainability, and community.

Fernando Gutiérrez, head of the Division of Humanities and Education at the Monterrey Institute of Technology and Higher Education (State of Mexico Campus), and author and co-editor of several titles about media.

Paolo Granata, holder of the Marshall McLuhan and Print Culture professorship at St. Michael’s College in the University of Toronto, after spending 15 years at the University of Bologna, Italy, and author of Arte in Rete; Arte, Estetica e Nuovi Media;  Mediabilia; and Ecologia dei Media.

and moderating the discussion, Edward Tywoniak, Professor of Communication, Director of the W. M. Keck Media Lab and Program Director for the Digital Studies major at Saint Mary’s College of California, Trustee of the Institute of General Semantics, editor of ETC: A Review of General Semantics, and President of the Media Ecology Association.

It was a program that was both intriguing and unique!

General semantics has long been concerned with the uses, misuses, and abuses of language. As the primary form of human symbolic communication, language is a tool through which we learn about our environment, make sense of our surroundings, evaluate and act upon our world. Language is the foundation of human intelligence and time-binding, our capacity for learning, both individually and collectively. 

The processes of learning and education are also among our most central concerns. Over the years, leading educationists such as Neil Postman, Ashley Montagu, and Jerome Bruner have been associated with general semantics. And that should come as no surprise since general semantics represents an educational movement in its own right, one devoted to incorporating the benefits of the scientific method to human relations, improving our methods of evaluation and understanding, and maximizing human potential.

Early in the 20th century, play was recognized as an important part of our learning processes, one that is closely connected to our capacity for symbol use, language learning, and cognitive and emotional development. The role of play and creativity in education has gained increasingly greater emphasis in recent decades, along with greater interest in the interactions and interdependencies among speech and language, literacy and media, and art and play, as they all relate to learning.

On our December 6th program, our panelists discussed the relationships between play, learning, and language, and these related topics. The participants were:

Robert Albrecht, Professor of Media Arts at New Jersey City University, author of Mediating the Muse: A Communications Approach to Music, Media, and Cultural Change (2004), and a musician and songwriter, his two CDs are A Tale of Two Cities (2012), consisting of original songs about Jersey City and Hoboken, andSong of the Poet (2008), consisting of poems by Walt Whitman, Edgar Allen Poe, and others set to music. He is currently co-authoring a book tentatively entitled, The Arts as Pedagogy in the Age of Digital Technology: Teaching as a Creative Activity.

Margaret M. Cassidy, Professor and Chair of Communications at Adelphi University and Past President of the New York State Communication Association, author of BookEnds: The Changing Media Environment of American Classrooms (2004), and the recently published Children, Media, and American History:  Printed Poison, Pernicious Stuff, and Other Terrible Temptations (2017).

Michael Plugh, Professor of Communication at Manhattan College, Immediate Past President of the New York State Communication Association, Internet Officer and Executive Board member of the Media Ecology Association, and member of the New York Society for General Semantics Board of Directors, currently researching innovative initiatives in schooling.

The discussion was moderated by Lance Strate, Professor of Communication and Media Studies at Fordham University, Past President of the New York State Communication Association, Editor of Explorations in Media Ecology and Executive Board member of the Media Ecology Association, member of the Board of Trustees of the Institute of General Semantics, President of the New York Society for General Semantics, author of several books including Media Ecology: An Approach to Understanding the Human Condition (2017), and On the Binding Biases of Time and Other Essays on General Semantics and Media Ecology (2011), and co-author of several anthologies including Taking Up McLuhan's Cause: Perspectives on Media and Formal Causality(2017) and Korzybski And... (2012).

It was a program that was most certainly elucidating and enlightening!

Last year, Thom Gencarelli received NYSCA's John F. Wilson Fellow Award, based on his record of scholarship and service. Other scholars previously named as John F. Wilson Fellows include Neil Postman, Gary Gumpert, Dan Hahn, Deborah Borisoff, Susan Drucker, James W. Carey, Lance Strate, Susan B. Barnes, and Brian Cogan. In conjunction with his selection, he delivered this year's John F. Wilson Fellow Lecture on October 13th, at the 75th anniversary meeting of the New York State Communication Association:

"Dark Nets and Disruptive Practices"

All too often, people outside the academic discipline of communication and media studies consider what we do to be little more than a special interest, rather than the study of something that is central to, and one of the primary defining features of, the human experience. As a case in point, the Presidential election of 2016, the most disruptive event of all disruptive events in our contemporary experience in the U.S., can be explained from a media perspective, and an historical one at that. Beginning from Gutenberg’s invention of the mechanical, movable-type printing press and through our contemporary innovations in mobility, social media, and Tor, this presentation argues that all inventions and innovations in media are a disruption, and that the evolution of media by which the citizenry in a democratic society inform themselves can explain, in full, exactly what happened to us in 2016. 

On November 3rd, Professor Gencarelli reprised his Wilson Lecture as the main event of our NYSGS program, and following the lecture, as an added bonus, additional reflections, comments, and responses were delivered by MJ Robinson, Professor of New Media and Journalism and Media Studies, Bernard N. Stern Professor of Humor, and Graduate Deputy Chair for the Media Studies MS program in the Department of Television and Radio at Brooklyn College of the City University of New York; Michael Plugh, Professor of Communication at Manhattan College, Immediate Past President of the New York State Communication Association, and Internet Officer and Executive Board member of the Media Ecology Association; and Lance Strate, Professor of Communication and Media Studies at Fordham University, Past President of the New York State Communication Association, Editor of Explorations in Media Ecologyand Executive Board member of the Media Ecology Association, a member of the Board of Trustees of the Institute of General Semantics, and President of the New York Society for General Semantics.

Thom Gencarelli, Ph.D. (NYU, 1993) is Professor and the founding Chair of the Communication Department at Manhattan College in Riverdale, New York. He is a Past President of the New York State Communication Association, the Media Ecology Association, and New Jersey Communication Association (twice), and a member of the Board of Trustees of the Institute of General Semantics. He researches and writes about media literacy/media education, media ecology, and popular media and culture with an emphasis on popular music. He is co-editor (with Brian Cogan) of Baby Boomers and Popular Culture: An Inquiry into America’s Most Powerful Generation (ABC-Clio/ Praeger, 2014), and is currently at work on a book about language acquisition and cognitive development. Thom is also a songwriter, musician, and music producer, and has released two album-length works with his ensemble bluerace, World is Ready and Beautiful Sky. The group’s third, as yet untitled effort is due out in 2018.

It was a program that most certainly shed light on our contemporary semantic environment!

On October 8th we hosted a mind-blowing program featuring mentalist Marc Salem. Here's the description:

We all have wished for, at one time or another, the power to read minds and decipher the thoughts of others. And while true ESP may be out of reach, it is possible to interpret clues to what others are thinking, a power that leads to greater success at work, in relationships, and in every aspect of life. The key is to pay attention to aspects of our world that we typically overlook, find the hidden meaning in conversations, negotiations, and personal encounters, and understand the meaning of nonverbal communication.

Marc Salem, aka Professor Moshe Botwinick, holds advanced degrees from the University of Pennsylvania, and New York University, where he earned his PhD studying with Neil Postman, Christine Nystrom, and Terence Moran, and has served as book review editor of ETC: A Review of General Semantics. He has been on the faculty of several major universities, was a director of research at Sesame Street Workshop where he studied the development and nature of mental processes, and is a world-renowned entertainer. 

His show, Mind Games, has completed two successful runs on Broadway, as well as the Sydney Opera House, Singapore's Esplanade, London's West End, and the Edinburgh Festival. Salem has been profiled on 60 Minutes, and been featured on Court TV, CNN, The O'Reilly Factor, Montel, and Maury. The New York Police Department, and businesses across the country have turned to Marc Salem for advice. 

He is the author of Marc Salem's Mind Games: A Practical Step-By-Step Guide to Developing Your Mental Powers, and The Six Keys to Unlock and Empower Your Mind, Spot Liars and Cheats, Negotiate Any Deal to Your Advantage, Win at the Office, Influence Friends, and Much More,  soon to be published in a second edition.

Thom Gencarelli, Professor of Communication at Manhattan College and a Trustee of the Institute of General Semantics hosted the event, which included a conversation, discussion, reading, book signing, and reception.

From the publisher's blurb: 

Media Ecology: An Approach to Understanding the Human Condition provides a long-awaited and much anticipated introduction to media ecology, a field of inquiry defined as the study of media as environments. Lance Strate presents a clear and concise explanation of an intellectual tradition concerned with understanding the conditions that shape us as human beings, drive human history, and determine the prospects for our survival as a species.

This book represents a new synthesis that moves the field forward. Taking as its subject matter "life, the universe, and everything," Strate describes the field as interdisciplinary and communication-centered, provides a detailed explication of McLuhan's famous aphorism, "the medium is the message," and explains that the human condition can only be understood in the context of our biophysical, technological, and symbolic environments.

Strate provides an in-depth examination of media ecology's four key terms: medium, bias,  effects, and environment. A chapter on tools serves as a guide to further media ecological research and scholarship

Advance Praise for Media Ecology:

“With characteristic passion and soulfulness, Lance Strate embarks on a metatask: to synthesize thinking about ‘life, the universe and everything’ through the lens of media ecology. In the process, he locates media ecology as the dynamic shift between figure and ground and as the basis for ‘understanding the human condition.’ Writing with an almost disarming ease that belies the complexity of the ideas he communicates, Strate brilliantly and reflexively mediates media ecology itself, bringing clarity to the Kekulé-like conundrums of an immense and increasingly relevant field. Anyone who thoughtfully enters and engages the environment of Strate’s book will be rewarded with moments of profound clarity, connecting ideas typically viewed as disparate or oppositional into patterns of deep understanding about media ecology―and about the process of living.”―Julianne H. Newton, Professor of Visual Communication, University of Oregon

“Lance Strate’s synthetic thinking opens up media ecology, allowing the reader to see how, as a field of inquiry, it applies to everything from language, media, and philosophy to our very understanding of what it means to be human living in a dynamic environment.”―Paul Soukup, Professor and Chair, Department of Communication, Santa Clara University

“Lance Strate asks big questions―and provides a myriad of perceptive answers. This book is at once playful, poetic, and precise. The clear writing about complex ideas is a pleasure to read and offers many gifts of understanding.”―Joshua Meyrowitz, University of New Hampshire

It was a gathering and celebration that was most certainly stimulating and thought-provoking!

A special issue of the Journal of Romance Studies (Volume 16, Number 1, 2016) on the topic of Experimental Narratives has been made freely accessible for the month of October. The issue, edited by Dr. Emanuela Patti, presently on the faculty of Royal Holloway, University of London.

• "Readers’ Experience in Experimental Narratives," Emanuela Patti
  
• "Choosing is Not an Option (But a Necessity)," Sabine Zubarik
  
• "Gameplay Literature," William Docherty Halbert
  
• "From Page to Screen/From Screen to Page," Emanuela Patti
  
• "LIMITE Unbound," Erika Fülöp
• "Sites of Uncertainty," Kristin Veel
• "Hive Minds," Giulia Iannuzzi

To access the issue, click on the link.